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  5. Performing the Digital

Performing the Digital

Performativity and Performance Studies in Digital Cultures
DOI: 10.14361/9783839433553
  • Leeker,  Martina
    Leeker, Martina
  • Schipper,  Imanuel
    Schipper, Imanuel
  • Beyes,  Timon
    Beyes, Timon

Abstract

How is performativity shaped by digital technologies – and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique.
With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens Schröter.

A valuable and impressive book for both its interdisciplinary coverage and the theoretical insights arising from its creative case studies.

2018-06-18Erin Sullivan, Theatre Research International, 43/1 (2018)
Book Cover [Performing the Digital]
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Erscheinungstermin
01. März 2017
Creative Commons Lizenz
Creative Commons cc-by-nc-nd
Open Access enabled by
KU Select
KU Select 2016: Frontlist Collection

Beiträge

Frontmatter
Timon Beyes, Martina Leeker, Imanuel Schipper
Seiten: 1 - 4
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Contents
Timon Beyes, Martina Leeker, Imanuel Schipper
Seiten: 5 - 6
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Introducing

Performativity, performance studies and digital cultures
Martina Leeker, Imanuel Schipper, Timon Beyes
Seiten: 9 - 18
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Historicizing

Performing (the) digital
Martina Leeker
Seiten: 21 - 60
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Annotating

Making digital choreographic objects interrelate
Scott de Lahunta, Florian Jenett
Seiten: 63 - 80
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Affecting

Speculation about 1:0
Marie-Luise Angerer
Seiten: 83 - 98
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Trading

The noisy motions of instruments
Ann-Christina Lange
Seiten: 101 - 114
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Encrypting

Performing encryption
Susan Kozel
Seiten: 117 - 134
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Protesting

Mobile phone signals and protest crowds
Oliver Leistert
Seiten: 137 - 154
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Mapping

Mapping invisibility
Sigrid Merx
Seiten: 157 - 168
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Tagging

The big urban game, re-play and full city tags
Margarete Jahrmann
Seiten: 171 - 188
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Co-producing

From flâneur to co-producer
Imanuel Schipper
Seiten: 191 - 210
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Instituting

Performing institutions
Melanie Mohren, Bernhard Herbordt
Seiten: 213 - 226
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Organizing

'The machine could swallow everything'
Timon Beyes
Seiten: 229 - 244
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Crashing

Performing the economy, digital media and crisis
Jens Schröter
Seiten: 247 - 276
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Democratizing

Performance and democratizing digitality
Jon McKenzie
Seiten: 279 - 296
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Notes on contributors
Timon Beyes, Martina Leeker, Imanuel Schipper
Seiten: 297 - 301
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  • Bibliografische Daten
  • Rezensionen
eISBN PDF
978-3-8394-3355-3
eISBN ePUB
-
eISBN HTML
-
Seitenumfang
304
BIC-Code
JFD JFC JHB
BISAC-Code
SOC052000 SOC022000
THEMA
JBCT1 JBCC JHB
Creative Commons Lizenz
cc-by-nc-nd
Verlag
transcript Verlag
Schlagworte
Performance Studies, Culture, Digital Media, Performing Arts, Media Theory, Media, Body, Technology, Cultural Theory, Media Studies,

A valuable and impressive book for both its interdisciplinary coverage and the theoretical insights arising from its creative case studies.

2018-06-18Erin Sullivan, Theatre Research International, 43/1 (2018)

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